Showing posts with label verde. Show all posts
Showing posts with label verde. Show all posts

22.6.10

The Global Climate Wake-Up Call

On Monday, September 21, Avaaz members and TckTckTck Campaign partners sent a deafening wake-up call on climate change to world leaders--with 2632 events in 134 countries, tens of thousands of phone calls crashing government lines, and an unbelievable creativity and diversity of events... directly reaching heads of state and cabinet ministers from Australia to Europe. Words can't describe it. This video comes close

15.6.10

Consciousness is the key


Postmodern Times is a new series of short animated films presenting “ideas about global consciousness and techniques for social and ecological transformation.” The first episode, “Toward 2012,” introduces the project, explaining concepts from Daniel Pinchbeck’s book, 2012: The Return of Quetzalcoatl, in the author’s own voice. It’s an unlikely visual delight, combining motion graphics with performance capture and live-action in an inventive graphic package.

Future segments will focus on shamanism, sustainability, alternative energy systems, the Mayan Calendar, quantum physics and synchronicity and human sexuality, and a host of other subjects. The director of the series is Joao Amorim, who works out of Curious Pictures in NYC. The Postmodern series is developed by Amorim, Daniel Pinchbeck, Nikos Katsaounis and Fellipe Barbosa.

28.5.09

Biomímesis

¿Qué se entiende por Biomímesis? Una conversación con Janine Benyus
Diciembre de 2008 - Traducción de What Do You Mean by the Term Biomimicry?A Conversation with Janine Benyus, material de difusión del Biomimicry Institute.

Janine Benyus es bióloga, consultora y autora de seis libros, entre ellos Biomimicry: Innovation Inspired by nature. Su compañía la Biomimicry Guild ayuda a sus clientes a utilizar la genialidad que se puede encontrar en todas las formas de vida para crear productos y procesos sostenibles. Es co-fundadora del Biomimicry Institute, del portal de Internet AskNature.org y del programa Innovation for Conservation para preservar el hábitat de los organismos que inspiran las soluciones biomiméticas.


Janine Benyus es una brillante bióloga y autora que anima a preguntar a la naturaleza cómo podemos diseñar los productos y procesos que necesitamos para nuestra vida.


La biomímesis es la práctica de desarrollar tecnologías sostenibles inspiradas por ideas de la naturaleza. Desde edificios eficientes inspirados por la refrigeración natural de los nidos de termitas hasta los acabados repelentes al agua y la suciedad para tejidos y pinturas basados en las plantas de loto, hay cientos de ejemplos de cómo la biomímesis puede cambiar nuestro mundo. Créditos de la imagen: Biomimicry Institute.

En su investigación para este libro, halló que la biomímesis ya es una disciplina floreciente en el ámbito científico. ¿Cuales serían algunos de los pioneros en biomímética y qué están haciendo?

· Wes Jackson (The Land Institute) está estudiando las praderas como modelo para una agricultura a base de policultivos comestibles y perennes que mantendrían la tierra de manera sostenible, en vez de ponerla bajo presión.

· Thomas y Ana Moore y Devins Gust (Universidad de Arizona) están estudiando cómo una hoja captura la energía, con la esperanza de conseguir una célula solar de tamaño molecular. Su producto “pentad”, sensible a la luz, mimetiza un centro de reacción fotosintético, con una minúscula batería alimentada por el sol.

· Jeffrey Brinker (Sandia National Lab) ha mimetizado unos moluscos (abulones) para crear un vidrio transparente óptico superresistente en un proceso de fabricación silencioso y a baja temperatura.




· J. Herbert Waite (Universidad de California Santa Bárbara) está estudiando el mejillón azul, que se agarra a las rocas gracias a una sustancia adhesiva que puede hacer lo que las nuestras no pueden: secarse y pegar bajo el agua. Hay diferentes equipos tratando de mimetizar este pegamento subacuático.

· Peter Steinberg (Biosignal)
ha creado un compuesto antibacteriano que imita el mecanismo de la Delisea pulcra por el que estas algas rojas evitan que las bacterias se posen en su superficie al saturar sus señales comunicativas con un compuesto ambientalmente respetuoso llamado furanona.

· Bruce Roser (Cambridge Biostability) ha desarrollado un sistema de almacenamiento a temperatura estable de vacunas que elimina la necesidad de costosos sistemas de refrigeración. El sistema se basa en el proceso natural que permite a la planta Anastatica o Rosa de Jericó permanecer desecada, pero viva, durante años.

· David Knight y Fritz Vollrath (Universidad de Oxford, Spinox) están mimetizando el sistema de producción respetuoso de las arañas para encontrar un modo de producir fibras sin calor ni sustancias tóxicas.

· Daniel Morse (Universidad de California Santa Bárbara) ha aprendido a mimetizar la producción de sílice de las diatomeas, lo cual podría abrir la posibilidad de obtener recursos para componentes electrónicos con bajo consumo energético y sin uso de tóxicos.

· Joanna Aizenberg (Lucent) ha mimetizado las ofiuras para el desarrollo de micro lentes ópticas de calidad sin distorsión.

· Jay Harman (PAXscientific) ha creado aspas de ventilador super-eficientes, aireadores y hélices basados en la geometría de las espirales encontradas en la naturaleza en conchas y otros seres vivos que propician los flujos.

Leer mas...


Enlaces (en ingles)

27.4.09

Save the Earth, Suicide!

http://www.churchofeuthanasia.org/snuffit1/snuffit1.jpg
**español abajo

Please be advised that there is offensive content below and inside:

The Church of Euthanasia (CoE) - political organization started by the Reverend Chris Korda in the Boston, Massachusetts area of the United States.

According to the church's website, it is "a non-profit educational foundation devoted to restoring balance between Humans and the remaining species on Earth."[1] The CoE uses sermons, music, culture jamming, publicity stunts and direct action combined with an underlying sense of satire and black humor to highlight Earth's unsustainable population. The CoE is notorious for its conflicts with Pro-life Christian activists.

According to the church's website, the one commandment is "Thou shalt not procreate". The CoE further asserts four principal pillars: suicide, abortion, cannibalism ("strictly limited to consumption of the already dead"), and sodomy ("any sexual act not intended for procreation").[1] The church stresses population reduction by voluntary means only. Therefore murder and involuntary sterilization are strictly forbidden by church doctrine.

http://www.churchofeuthanasia.org/catalog/jesus.jpg


Slogans employed by the group include "Save the Planet, Kill Yourself", "Six Billion Humans Can't Be Wrong", and "Eat a Queer Fetus for Jesus", all of which are intended to mix inflammatory issues to unnerve those who oppose abortion and homosexuality.

The Church gained early attention in 1995 because of its affiliation with paranoia.com which hosted many sites that were controversial or skirted illegality. Members later appeared on an episode of The Jerry Springer Show titled "I Want to Join a Suicide Cult".

Following the September 11, 2001 attacks, the CoE posted to its website a four-minute music video titled I Like to Watch

, combining hardcore pornographic video with footage of the World Trade Center collapse. The montage featured an electronic soundtrack recorded by Korda and the lyrics, "People dive into the street/ While I play with my meat." Korda described the project as reflecting his "contempt for and frustration with the profound ugliness of the modern industrial world."[2]

The church's website previously had instructions on "how to kill yourself" (still on archives) by asphyxiation using helium. These pages were removed in 2003 after a 52-year-old woman used them to commit suicide in St. Louis County, Missouri, resulting in legal threats against the church.[3]

source: wikipedia

http://www.churchofeuthanasia.org/graphics/new/sexisgood.jpg

Interview to Reverend Chris Korda

03/14/03 Batofar, "Entrevue Masquée Chris Korda" (French) (English - also below)

Guillaume Léglise interviews Chris Korda for Batofar

Your music seems to be a tribute to popular music. Do you think that this kind of music give us a little bit of freedom, or innocence? Or perhaps people are rigged by pop music too. I mean, what's your reason to use this music in order to express your thoughts and your art?

The real question is, what is possible? The state doesn't give a damn what type of music you listen to, or how you wear your hair, or how many tattoos you have. In fact, these shallow diversities only strengthen the necessary illusions of dissent and rebellion. Industrial societies have learned from the failures of Stalinism: torture is inefficient, compared to voluntary compliance, and "brainwashing under freedom". This is a dangerous game: while it works, huge profits flow to the top of the pyramid, but if the people ever wake up, there aren't enough police to maintain order. If the majority of people grew their own food, and refused to work or buy anything, the industrial system would collapse. Industrial societies spend fortunes on advertising, not only to create false needs, but to inspire belief that the system is righteous, and inevitable: the best and only possible way of life. The cultured "elite" (your readers?) imagine that their education makes them immune to propaganda, but this is rubbish. As Jacques Ellul pointed out long ago, the elite are the most indoctrinated segment of society, and education is in fact the *prerequisite* to propaganda. The elite must do more than just work and consume: they are expected to collaborate, internalize the goals of the society, and become priests of technology. It doesn't matter what third-world peasants think, because they are outside the system; they aren't consumers, and aren't expected to do anything, except suffer and die, while we steal whatever resources they have.

Art and culture are the lifeblood of industrial society, the ultimate proof of its humanity and noble intentions. The Dadaists knew this, and tried to destroy art, but they were absorbed, in the same way that every word I say to you now, can also be absorbed, mediated, reduced to triviality and faux rebellion. The solution is to utterly smash the instruments of technology, but what is the probability that this will happen? The pathetic history of Easter Island suggests that we will rape the earth until it's no longer capable of supporting mammals. The elite will concentrate their wealth and power in fewer hands, and continue to rape, because they enjoy it. The rest of us will settle for less and less, always convincing ourselves that it's not so bad, that our deal could be worse, and that anyway we have a better deal than so-and-so. And of course, we'll have plenty of magazines to read.

What does Reverend Chris Korda want to express on stage? I mean how do you conceive this sort of action? political?, aesthetic? both of them?

To be meat in the machine, and be aware of it, is torture. We armor ourselves against confinement, against the boredom and pain of it, until we feel nothing, or we sympathize with the aggressor, like hostages. The Christian priests denied us our bodies, and the priests of technology do the same; they also dream of escape, to the secular heaven of robots in outer space. As an office worker, I've spent many years of my life in cubicles, which are also known as "veal pens" (hence the enigmatic CoE slogan "WE ARE THE VEAL"). On stage with my laptops, I'm in a virtual cubicle; in the moments of silence between tracks, the careful listener might hear the "insect sound of drones, clickering keyboards in a fluorescent hive of fabric-padded cubicles." The modern experience of work is enforced passivity; freedom of movement is increasingly restricted, until only the eyeballs and fingers are permitted to move. While performing, I experience this familiar feeling of bondage, but it's strangely transformed; I'm still glued to the screen, but my legs and ass can move to the music, and I feel the heat, in and around my body. The most important change is that I'm no longer alone; I'm sharing my experience with the audience members, many of whom also work in offices. It's a small liberation.

My last question. Tell me something about the next Bush’s war in Iraq.

America's former success resulted from the economic advantage of being the only major power to emerge unscathed from WWII. With that advantage long gone, America tries to buy security, by spending ever greater sums on war. The huge expenditures cripple the economy, the failure of which is perceived as further loss of security, requiring even more extravagant displays of violence, in a vicious circle. The demonstrations are intended to prove that America is still invincible, but instead they prove the opposite: that America is fragile and desperate, an empire in decline. The beneficiary of war is not America, but war itself, as a way of life. Industrial society grows stronger through spasms of war.

Industrial society values unlimited power and profit in the present, at the expense of the future; the earth is a cigar, made to be burned and smoked. The goal is efficiency--maximum output in the minimum time--and nothing is more efficient than war. War is consumerism in its purest form. In the climate of fear created by war, we try to consume more, to accelerate, but the faster we go, the sooner we'll arrive. Arriving means a high entropy state, an exhausted planet of shifting sand. Under the assault of total war, earth's biological diversity evaporates, replaced by opportunistic, weedy species that can survive in hostile environments: rats, roaches, pigeons, and of course the ultimate weed, humans.



"Don't forget the real business of the War is buying and selling. The murdering and the violence are self-policing, and can be entrusted to non-professionals. The mass nature of wartime death is useful in many ways. It serves as Spectacle, as diversion from the real movements of the War. It provides raw material to be recorded in History, so that children may be taught History as sequences of violence, battle after battle, and be more prepared for the adult world."

--Thomas Pynchon, "Gravity's Rainbow"

------------------------------------------------------

Chris Korda, sobrino nieto del productor cinematográfico Alexander Korda, es la máxima autoridad de la Iglesia de la Eutanasia. Iglesia sostenida sobre cuatro pilares fundamentales: suicidio, aborto, canibalismo y sodomía...

Su objetivo: la extinción de la especie humana. Su único mandamiento: no debes procrear. Su mensaje: Salva el planeta, suicidate...

En el video "I Like to Watch" , Korda también ha realizado el tema electro que acompaña las imágenes.

Solo una cosa más: si encuentras algo que te pueda ofender, no te quejes, estas advertido...

iltow_back_optimized.jpg

Pincha aquí para ver "I Like to Watch"

Pincha aquí para conocer la Iglesia de la Eutanasia



Otra Iglesia alternativa:

21.4.09

Cradle to Cradle

Before watching the video below, I highly recommend listening to this talk by William McDonough given at Stanford's business school.

Cradle to Cradle talk:
http://sic.conversationsnetwork.org/shows/detail3142.html



An inspiring documentary on the Cradle to Cradle design concept of the chemist Michael Braungart and the architect William McDonough. Winner of the Silver Dragon at the Beijing International Science Film Festival 2006. OUTLINE: Man is the only creature that produces landfills. Natural resources are being depleted on a rapid scale while production and consumption are rising in na­tions like China and India. The waste production world wide is enormous and if we do not do anything we will soon have turned all our resources into one big messy landfill. But there is hope. The German chemist, Michael Braungart, and the American designer-architect William McDonough are fundamentally changing the way we produce and build. If waste would become food for the biosphere or the technosphere (all the technical products we make), produc­tion and consumption could become beneficial for the planet. A design and production concept that they call Cradle to Cradle. A concept that is seen as the next industrial revolution. • Design every product in such a way that at the end of its lifecycle the component materials become a new resource. • Design buildings in such a way that they produce energy and become a friend to the environment. Large companies like Ford and Nike are working with McDonough and Braun­gart to change their production facilities and their products. They realize that economically seen waste is destruction of capital. You make something with no value. Based on their ideas the Chinese government is working towards a circular economy where Waste = Food. An amazing story that will definitely change your way of thinking about production and consumption. Director Rob van Hattum Research Gijs Meijer Swantee Production Karin Spiegel en Madeleine Somer Editors in Chief Doke Romeijn en Frank Wiering © VPRO 2006
http://www.vpro.nl/programma/tegenlicht/afleveringen/36632706/



Other interesting links:

USDA victory garden!!
http://www.usda.gov/wps/portal/!ut/p/_s.7_0_A/7_0_1OB?contentidonly=true&contentid=2009/02/0043.xml


A Food Revolution in the Making From Victory Gardens to White House Lawn - Michael Pollan

http://www.truthout.org/042309EA

More Serious Games
this one promoting/teaching social change:
http://www.breakawayltd.com/serious-games/solutions/social/


Videos to Download:
http://www.aforcemorepowerful.org/films/index.php


Permablitz
http://www.permablitz.net/


Principles for the 21 Century!!
http://www.worldchanging.com/archives/006845.html

http://www.permacultureprinciples.com/

5.8.07

Ethics of Climate Change: Don Brown's Impassioned Appeal to Policy Makers


A recent talk by Donald Brown at IPCC exposes the moral and ethical bankruptcy of the developed world and poses important questions for all policy makers grappling with how to respond to climate change. Video and transcript of his talk follows

transcript of speech

6.5.07

Gmail Paper

Ahora vas a poder imprimir todos tus mails, totalmente gratis